The B.C.

Episode 3 - "Under the Gun"

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TEASER

Tony enters the kitchen.  Mario is at the table reading the newspaper and eating.  Tony starts to fix himself some cereal. 

Mario:  You’re up early again. 

Tony:  Well I’ll leave the sleeping to Frankie.  That way he can be used to resting when he’s on the bench. 

Mario:  Hey, if you snooze, you lose.  So what have you got planned for the day?

Tony:  I’ll do some lifting, go for a run; maybe throw around with Starks this afternoon. 

Mario:  You know you might be taking Labor Day a little too literally. 

Tony:  Got no choice.  First game’s in three days, and coach still hasn’t named the starter.  I want to make it an easy decision for him. 

Mario:  Well don’t push yourself too hard.  You want to have some gas in the tank for Thursday. 

Tony:  How’s Mom doing?

Mario:  She’ll be alright.  Nothing that a good night’s sleep won’t fix.  So what did you end up doing last night?

Tony:  Nothing.  I just went for a walk. 

Mario:  With Amy?

Tony:  Yeah. 

Mario:  How are things going with you two?

Tony:  (Gives Mario a look and shrugs)

Mario:  That good, huh?  Well don’t worry too much about it, being the starting quarterback tends to fix a lot of women problems. 

Maria:  (Entering) Morning you two. 

Mario:  Feeling any better, honey?

Maria:  Eh, still got a headache, but otherwise better.

Mario:  Maybe some coffee will help.  I just brewed a fresh pot. 

Maria:  Thanks.  So are you going to be ready in a few minutes to head over to Angela’s office with me?

Mario:  You’re going too?

Maria:  Yeah.  I, uh, my blood pressure was a little high the other day and Angela wanted to make sure it’s gone down. 

Mario:  Well hopefully it’s nothing to worry about.  I don’t even want to think about there being anything seriously wrong with you.   (Awkward silence.  It is interrupted by the phone ringing.)  Now I wonder who that could be.  (Picks up the phone.)  Hello?  Oh, Martha.  What’s going on?  No!  Alright, alright.  Yeah, sure, we’ll be right there.  Alright, bye. 

Maria:  Was that Martha Starks?

Mario:  Yeah, it was.  Call Angela and cancel our appointment…  Wayne’s been shot.

OPENING CREDITS 

Scene 1

Rob is at the table eating breakfast and reading Sports Illustated when Tim enters. 

Tim:  Good morning, buddy.

Rob:  I don’t know how “good” it is.  It appears the end is upon us.

Tim:  What are you talking about? 

Rob:  Sports Illustrated.  This week’s sign of the Apocalypse; “A Kentucky little league team is being sponsored by Hooters.” 

Tim:  Well I don’t see what the big deal is.  I thought everybody just went there for the wings. 

Rob:  Don’t forget the breasts and thighs. 

Tim:  Are we still talking about chicken? 

Beth: (Entering) I don’t even want to know. 

Rob:  Hey Mom. 

Beth:  So this is it, huh? The last day before school starts.

Rob:  Thanks for reminding me.

Beth:  Any big plans?

Rob:  When do I ever have big plans?

Beth:  Oh I don’t know.  I just thought you might want to do something fun.  Hang out with Amy, maybe. 

Rob:  Yeah… That’s alright.

Tim:  What’s the matter?  I thought you two were getting along great. 

Rob:  Well I don’t know about “great”, but it’s not that.  I just – she’s not – into me like that. 

Beth:  I’m not so sure about that.  I thought she was flirting with you in Pastor’s office yesterday. 

Rob:  Look, it’s not gonna happen. 

Beth:  Well it sure won’t with an attitude like that. 

Rob:  She likes Tony, or Frankie - or both.  I don’t know.  Didn’t you see her last night?  She completely ignored me the whole time. 

Tim:  Well did you try to get her attention?

Rob:  Well…no, but…

Tim:  That’s your problem right there.  You have to put forth some effort.  Women want to be pursued. 

Beth:  Exactly.  So why don’t you go over there today and ask her to do something? 

Rob:  Yeah, I don’t know. 

Tim:  Come on, Rob.  Are you just going to let her slip through your fingers and end up with some other guy, or are you going to put up a fight?

Rob:  Alright, fine.  So let’s say I theoretically ask her to do something.  Where would I take her?

Tim:  Well, there’s always Hooters. 

Scene 2

Carmine grabs his keys off of a table and starts to open his front door. 

Gina:  And just where are you sneaking off to?

Carmine: I’m not sneaking. 

Gina:  Then where are you going?

Carmine:  I’m going to the hospital – to visit Wayne. 

Gina:  You mean the morgue right? 

Carmine:  Look, Gina…

Gina:  I don’t want to hear it, Carmine.  You were supposed to take care of him. 

Carmine:  I did.  I showed him that I mean business.  Now he’ll listen to me and keep his mouth shut. 

Gina:  You really are pathetic, you know that?  I can’t believe you didn’t have the stones to finish this. 

Carmine:  It is finished!

Gina:  If you believe that, then you’re stupid too.  Wayne’s not scared of you.  He showed you that when he didn’t back down the first time.  And when you go there and he still refuses to keep quiet, what are you going to do then?  How do you plan on rubbing him out in the middle of a hospital?  If he hasn’t changed his mind, you’re done. 

Carmine:  Well, let’s hope he’s changed his mind then. 

Gina:  No, I don’t think so.  You’re not pinning the future of this family on a hope. 

Carmine:  Well what do you expect me to do? 

Gina:  To stop acting like a coward, and start acting like a mob boss.  Get a backbone.  Be ruthless.  Start acting like your father. 

Carmine:  My father wouldn’t have gotten himself into this mess in the first place. 

Gina:  No, he wouldn’t have.  But when your father did have his back to the wall, he’d find a way to turn his weakness into a strength. 

Carmine:  How am I supposed to do that?

Gina:  You’ll figure it out.  You’re a Romano. 

Scene 3

Amy is lying on her bed listening to music and flipping through a magazine, when Rob knocks on the door. 

Amy:  Come in.

Rob:  Hey Amy.  What’s happening?

Amy:  Ah, nothing. 

Rob:  Sooooo, whatcha reading? 

Amy:  Seventeen. 

Rob:  Oh, uh, any good articles?

Amy:  Yeah, you should take a look at this when I’m finished.  It could really help you out. 

Rob:  What would I possibly want to read in that?

Amy:  Oh, there’s lots of stuff; (Hands him the magazine) like this one for instance, “Eight Ways to Drive Your Man Wild”. 

Rob:  You know, those jokes just keep getting funnier. 

Amy:  Yeah, well I’ve got such a great source of material.  So what do you want?

Rob:  Who said I wanted anything?

Amy:  Well aside from your nervous twitches and the pointless small talk to help you build up the courage to say what’s actually on your mind, you are in my room at 9:30 in the morning.  There’s got to be a reason.

Rob:  Man, you sure do pick up on things.   

Amy:  How do you think I uncovered your alternative lifestyle so quickly?

Rob:  See, now why do you…

Amy:  Just cut to the chase Rob.

Rob:  Fine.  I – I wanted to know if you would like to go see a movie with me later. 

Amy:  Are you asking me on a date?

Rob:  Um, well, I mean, did you want…

Amy:  (Now she starts to feel bad) Look, Rob…

Michael:  (Enters the room) Hey Amy, something’s happened.  Officer Starks has been shot and we need to get over to the hospital right away. 

Amy:  Oh, Is he going to be alright?

Michael:  Yeah, he’ll be ok.  But we’ve got to leave now. 

Amy:  Sorry Rob.  Hey, maybe we can talk about this later, if you want. 

Rob: Uh, yeah. 

Amy:  Alright, we gotta go.  (They start to go, and she turns to him)  Leave the magazine Rob. 

Scene 4

The Romano’s are in Wayne’s hospital room, circled around his bed.  Wayne is awake, and his wife Martha is sitting next to him. 

Wayne:  No, I really don’t remember what happened next.  After that shot went off, everything went black.  Next thing I know, I’m in this bed. 

Martha:  When I heard the bang, I jumped out of bed and ran outside, but whoever it was, was already gone.  I just can’t believe something like this happened…

Maria:  I know.  We’re all in shock.  But we’re going to help the two of you get through this. 

Martha:  Thank you. That means a lot.  And I’m sure John could use you right now, Tony. 

Tony:  Hey, anything he needs.

Martha:  Maybe when he gets back from feeding the dog, you two can go do something to help him get his mind off this. 

Tony:  Yeah, sure. 

Maria:  Well, speaking of food, have you had anything to eat Martha?  

Martha:  Oh, no I haven’t.  But come to think of it, I am a little hungry. 

Maria:  Well, why don’t we go down to the cafeteria?  Mario can stay here with Wayne. 

Martha:  That would be wonderful.  Will you be ok, while I’m gone dear? 

Wayne:  Of course.  Go on.  (They begin to leave.)

Tony:  I think I’ll stay up here and wait for John to get back.

Wayne:  Hey, Tony.  Are you going to be ready for Thursday night?  From what I’ve heard, you’re the favorite to start at quarterback.

Tony:  I don’t know about favorite, but I’m in the running, at least.

Wayne:  Well I think you’d make a fine quarterback.  You’ve got a good head on your shoulders… And good chemistry with your best receiver. 

Tony:  Yeah, John’s been real good to work out with me so much.  I know he’d rather be playing basketball. 

Mario:  Hey Tony, would you mind waiting for John outside.  I’d like to speak with Mr. Starks alone for a minute. 

Tony:  Yeah, sure thing.  (Leaves)

Wayne:  Well, I gotta congratulate you on the fine acting job, Mario.  You actually seemed surprised about all of this.  Martha didn’t suspect a thing. 

Mario:  Even when you know it’s coming, things like this aren’t easy to handle.  I’m so sorry, Wayne. 

Wayne:  You’ve got nothing to apologize for.  I know this isn’t something you wanted.  You did everything you could to stop this from happening. 

Mario:  I just wish it never came to this. 

Wayne:  Don’t beat yourself up.  The doctor says I’ll be up and about in no time.  The way I see it, I can be thankful the guy missed and only clipped my leg. 

Mario:  He didn’t miss, Wayne. 

Wayne:  What?

Mario:  The guys who carry out assignments like that – they don’t miss. 

Wayne:  What do you mean?

Mario:  You’re alive because that’s how Carmine wanted you. 

Wayne:  Well why would he want that? I thought the point of this was to keep me from talking?

Mario:  Now you know why I was so surprised when Martha called. 

Wayne:  You have no idea what he’s up to? 

Mario:  None whatsoever.  But I can tell you this for certain; whatever it is, it’s not good. 

Scene 5

Tony is sitting on a chair outside of Wayne’s hospital room when Starks approaches. 

Starks:  What up, bro?

Tony:  Hey man. 

Starks:  This is pretty crazy, huh? 

Tony:  Yeah, it is.  So how are you doing, man?

Starks:  Shoot, you know me.  I’m fine, just angry.  I wanna bust the head of the punk who did this.

Tony: Yeah, I bet.

Starks:  But I’m all good.  You know.  What doesn’t kill you…

Tony: Yeah. 

Starks:  I just… (Shakes his head and doesn’t finish)

Tony:  What?

Starks:  Na, it’s nothing. 

Tony:  No, come on, man.  What?

Starks:  It’s no big deal, dude. 

Tony:  Starks, come on.  It’s me.  What’s the deal?

Starks:  Man, it’s just… This is all my fault. 

Tony:  What do you mean?

Starks:  It should be me in there, not my dad.  He got shot taking the trash I was supposed to put out an hour before.  That’s why he’s here.   

Tony:  You can’t think like that, man.  This had nothing to do with you.    

Starks:  No, bra.  If I had just done what I was supposed to, we’d all be fine.  This one, this is on me. 

Tony:  Did you ever think that whoever shot your dad was intentionally going after him?  I mean, he is a cop.  And it’s not like we have drive-by’s going down everyday in Paramus. 

Starks:  You really think so, man?

Tony: Well, it makes a little more sense than some random dude showing up and popping a guy holding a bag of garbage. 

Starks:  Yeah, maybe.  But my dad’s just a local cop.  Who would want to take him out?

Carmine:  (Has come up to them without them noticing) Hey boys.  How’s your father doing, John? 

Starks:  Uh, he’s doing good.  It’s just his leg.  Doctors say he should be fine. 

Carmine:  Well, that’s good news at least.  Is it alright if I go in and see him?

Starks:  Yeah, sure.  He’s just talking with your brother. 

Carmine:  Sounds good.  Listen, Frankie’s down in the car with his mother looking for a parking spot.  They’ll be up in a minute.  Would you just keep an eye out for them?

Starks:  No problem. 

Carmine:  Thanks.  And John, I hope you’re doing alright.  I know that this is a lot to deal with. 

Starks:  Thanks.  But, yeah, I’m doing alright.  I just hope we can take down the sleaze bag that did this. 

Carmine:  (Avoiding eye contact) Me too, John.  Me too.  (He pats him on the shoulder, and as Carmine walks away, he has a determined look on his face.)

Scene 6

Mario is sitting next to Wayne’s bed when Carmine enters the room and leans against the doorway.  It takes a moment before Mario and Wayne notice him. 

Wayne:  And don’t forget the time that we stole Joey’s clothes while he was in the shower. 

Mario:  Oh, that’s right.  He unhooked the shower curtain and wrapped it around his waist. 

Wayne:  He was so mad; he went running up and down the hall yelling…

Carmine: ...And everyone ended up coming out of their classrooms to see what all the noise was.  Those sure were good times.  (Dead silence)  How ya feel’n pal?  (Wayne just stares him down)  What?  You don’t feel like visitors? 

Mario:  Why don’t you let Wayne get some rest?

Carmine:  Well, I would love to.  Unfortunately, there’s a pressing issue that Wayne and I need to discuss. 

Mario:  Look Carmine…

Wayne:  It’s ok, Mario. 

Carmine:  Listen bro, since I know that you don’t care for this sort of thing, why don’t you keep everyone occupied, while the two of us chat?  Gina and Frankie will be up in just a minute.  Why don’t you take them and the boys to the cafeteria?

Mario:  You gonna be alright Wayne? 

Carmine:  It’s just a friendly chat Mario. 

Wayne:  I’ll be fine. 

Mario:  (Gets up and starts heading to the door, as he passes by Carmine he he stops to look him in the eye disapprovingly.  He then proceeds to leave.)

Scene 7

Mario approaches Tony and Starks who are sitting in a waiting area. 

Mario:  Hey, you two!  What do you say we head down to the cafeteria and grab a bite?

Starks:  Is anyone going to stay with my dad?

Mario:  Your father’s resting.  Carmine said he sit with him.  He said that Gina and Frankie will be up here any minute.  We can wait for them and then go down.  

Tony:  Here they come. 

Mario:  Oh yeah.  And the Carson’s are right behind them.

Tony:  Well, at least lunch won’t be awkward. 

Gina:  Mario!  How’s Wayne doing? 

Mario:  He’s going to be fine.  He’s sleeping now. 

Michael:  Oh, then we’d better just let him rest. 

Mario:  Why don’t we grab something at the cafeteria while we wait for him to wake up? 

Frankie:  Sounds good to me.  I’m starving. 

Mario:  Then let’s head down. 

Michael:  (Everyone’s walking) Does anybody know what happened?

Mario:  Not really.  Wayne was caught off guard and then black out after the shot hit him. 

Gina:  It’s just awful.  I mean, you think we’d be safe from people like that in our neighborhoods. 

Mario:  (Taking a jab at Gina for her false concern) Well, I guess you can never be completely safe.  Not with monsters like that running around. 

Scene 8

Wayne’s hospital room. 

Carmine:  You know, you sure were lucky, only getting hit in the leg and all. 

Wayne:  I’d hardly consider myself fortunate, seeing as I’m lying in a hospital bed.

Carmine:  Now this is exactly why we aren’t seeing eye to eye lately.  Where you see a negative, I spot an opportunity. 

Wayne:  So how’s this gonna play out, Carmine? 

Carmine:  The way this ends is entirely up to you.

Wayne:  If you even think for a moment that I’m going to keep my mouth shut, you’ve got another thing coming.  You can threaten me all you want. I’d gladly give my life to protect this community. 

Carmine:  Wayne, Wayne.  I would never try to kill you, buddy.  I couldn’t do it.  We’ve been friends for too long. 

Wayne:  That’s real touching, Carmine. 

Carmine:  Besides, I know you’re far too selfless to be broken by a threat like that. 

Wayne:  What’s that supposed to mean?

Carmine:  It means that if you decide to open your mouth about our little incident on Saturday, you won’t be the one that ends up in a casket. 

Wayne:  You wouldn’t. 

Carmine:  I don’t think now is the time to start questioning what I’m capable of. 

Wayne:  I won’t stand for this Carmine. 

Carmine:  Oh you will - unless you feel like being a widower.  Of course, it might be fun to start playing the field again. 

Wayne:  You really are scum.  You know that? 

Carmine:  Of course being a single father could really put a damper on your night life.  But we could always solve that by opting for a double funeral. 

Wayne:  If you think you can…

Carmine:  I – can do whatever I want.  And if you’re smart, you’ll learn to accept that fact rather quickly.  So it’s your choice. Are you going to fall in line, or start cashing in on Martha and John’s life insurance policies? 

Wayne:  (Silence.  He turns away from Carmine)

Carmine:  (Starting to get mad) What’s it gonna be, Wayne? 

Wayne:  Alright Carmine.  You forced my hand. 

Carmine:  See, I knew you’d make the reasonable decision.  Now why don’t you get some rest?  (Starts to leave)

Wayne:  I won’t ever rest until somebody finally takes you down. 

Carmine:  Get well soon, pal. 

Scene 9

Tony is at the counter in the cafeteria picking out something to eat, when Amy sneaks up on him from behind. 

Amy:  I’d go with the Turkey if I were you.  That egg salad looks a little green.

Tony:  I’ll take my chances.  (Grabs the sandwich and starts to walk away from her) 

Amy:  Did I do something?

Tony: (Stops and then turns to face her)

Amy:  What’s going on with you?

Tony:  Noth…

Amy:  Don’t tell me “nothing.”  First you run off on me last night, now you won’t even look at me, let alone have a conversation. 

Tony:  Look, it’s not you.  I - I’ve got some stuff I need to figure out.

Amy:  Like what?  Whether or not to acknowledge my existence?

Tony:  It’s not…  I just need some time. 

Amy:  Yeah?  Well you better not take too much of it.  I’m not going to sit around and wait while you ignore me.  (Storms away)

Tony:  Amy, wait! (She keeps walking) Should’ve gone with the turkey.

Scene 10

Amy sits down at a table with Frankie, Juliet, and Starks. She’s obviously upset.

Starks:  Hey Amy, you alright?

Amy:  I’m fine. 

Frankie:  You sure? 

Amy:  Can we just drop this, please. 

Frankie:  If you say so.  But is there anything we can do to help? 

Juliet:  She said to drop it, Frankie. 

Frankie:  Sorry for being concerned. 

Amy:  Really, I’ll be fine. 

Frankie:  Well are you sure that there’s nothing we can do to cheer you up? You wanna go to the fireworks tonight?    

Amy:  Fireworks? 

Starks:  Yeah, down by the high school.  I’d be up for it, but I should probably stay with my dad. 

Juliet:  And Tony and I are going to a barbeque with our parents. 

Amy:  Oh, too bad you all have stuff.  That sounded like fun. 

Frankie:  Well, I could still go with you.  (Juliet gives him a dirty look)

Amy:  Really?

Frankie: Yeah.  I mean, I was supposed to go to this party with my parents, but they won’t care if ditch it. 

Amy:  That’s awesome. 

Frankie:  Cool, I’ll be at your house around five.  We can grab something to eat and then head over to the school.    

Amy:  You know, I’m feeling better already. 

Juliet:  (Sarcastically) Yeah, isn’t Frankie great? 

Maria:  (Approaching) Juliet, are you almost finished?  We’re going to head home. 

Juliet:  Yeah, I don’t think I can eat anymore. 

Frankie: Would you mind dropping me off home on the way?  My mom still has to see Officer Starks. 

Maria: That’s fine.  I’ll go find Tony and meet you by the car. 

Frankie:  Sounds good.  See ya guys.  (Gets up and starts to walk away)

Starks:  Peace. 

Amy:  See you later, Frankie. 

Frankie:  Five o’clock.  I’ll be there.  (As they walk down the hallways of the hospital to the car, Juliet shakes her head and looks furious)  You mad or something? 

Juliet:  (Starts to walk faster away from him) You’re unbelievable!

Frankie:  (Grabs her arm to keep her from leaving) Hold on.  Are you upset about tonight?

Juliet:  Try furious.  I can’t believe… I mean, after last night…

Frankie:  I’m sorry.  I was just trying to make her feel better. 

Juliet:  Just trying to make a move on her is more like it. 

Frankie:  I told you, it’s not like that. 

Juliet:  Well then how is it?  Because from where I was sitting, it sure looked like you were asking her out on a date. 

Frankie:  It’s not a date.  You and Tony could come if…

Juliet:  If what?  You knew we had that barbeque.  We go to it every year. 

Frankie:  How many times do I have to tell you, Jules?  You’re the one I want. 

Juliet:  Well how about you quit telling me, and start acting like it?

Frankie:  What do you want me to do? 

Juliet:  Tell Amy that tonight’s off. 

Frankie:  How am I going to do that? 

Juliet:  It’s not that hard, genius.  Come up with an excuse.  Tell her your parents are making you go with them. 

Frankie:  Alright, alright.  I’ll tell Amy that I can’t go.  You happy now? 

Juliet:  (Softening)  Just start thinking of my feelings a little more, Frankie.  I don’t like having to be this way. 

Frankie:  I know.  I know.  I’m not trying to hurt you, Jules.  I just gotta be more careful.  Think before I open my mouth, ya know.  (Puts his arms around her)  Do you forgive me, now? 

Juliet:  Yeah, I guess.  (He pulls her closer.  As they walk down the hallway with his arm around her, Frankie looks back and sees Amy, who is walking in the opposite direction.  A devious smile appears on Frankie’s face.)

Scene 11

The Romano’s are in their kitchen. 

Tony:  What time are we leaving for the barbeque?

Maria:  We’re supposed to be over there at five. 

Tony:  Alright.  I’m gonna go work out for a little bit.  (Leaves)

Juliet:  Do you need any help making the dessert for tonight, Mom?

Maria:  I think I got it covered.  You don’t have to spend this gorgeous day inside.  Go out and enjoy yourself.

Juliet:  Ok.  But if you need anything, let me know.  (Leaves)

Mario:  (Looking in the refrigerator) Honey, are we out of milk? 

Maria:  Maybe.  We were running low. 

Mario:  Well, I guess OJ will have to suffice for now.  (Grabs it out of the fridge)

Maria:  Shoot. I need milk for the dessert.

Mario:  (Pouring himself a glass) Alright, I’ll run out to the seven eleven in a minute. 

Maria:  You know, I’m still in shock about Wayne.  It just doesn’t seem real.  I mean, I can’t believe something like that happened in our neighborhood. 

Mario:  (Giving it away with his tone, because he won’t lie to Maria) Yeah, who would’ve seen that coming?

Maria:  (It takes a moment for her to get it) Don’t tell me…

Mario:  Alright, I won’t. 

Maria:  You knew this was going to happen? 

Mario:  Look, I’d better get that milk.  (Starts to leave)

Maria:  Mario!

Mario:  I did all I could.  But there was no stopping it. 

Maria:  Well, what did Wayne do that would get him shot? 

Mario:  It’s nothing you need to worry about.  (Goes over to her) I didn’t tell you this to get you upset.  I just didn’t want there to be any secrets between us. 

Maria:  Is he going to be ok?

Mario:  I’ll get the milk.  (As Mario leaves, the doorbell rings.  He goes over to the door and opens it.)  Angela? 

Angela:  Hello, Mario.

Mario:  I didn’t know you made house calls. 

Angela:  Well, I normally don’t, but this is a special situation.  There’s something we need to talk about. 

Mario:  Is everything alright? 

Angela:  Why don’t you get your wife, and we’ll discuss it. 

Mario:  (Puzzled, and concerned) Yeah, ok.  (Turns to get Maria, but she is already standing right behind him.)

Maria:  Mario, there’s a secret that I need to tell you, too. 

Scene 12

Rob is in his room, sitting at his computer, when Beth opens the door.

Beth:  Is it ok if I come in? 

Rob:  Just a second.  I have to finish this hand of Texas hold ‘em and say goodbye to the stripper I met in the Jersey singles chat. 

Beth:  You’re so funny. 

Rob:  Bambi seems to think so. 

Beth:  So Pastor Carson just gave me an update on Officer Starks. 

Rob:  Oh yeah? 

Beth:  Apparently he’s doing very well.  The doctors think he’ll make a full recovery. 

Rob:  Well that’s good.  Any idea who shot him?

Beth:  There’s no lead at the moment.  Makes me nervous.  I can’t say I’m happy to think there’s someone like that roaming our town. 

Rob:  I assume this means I’m exempt from my trash duties for a while? 

Beth:  We’ll see about that.  So how did things go with Amy this morning?  You never said anything. 

Rob:  You know, some people may have taken that as a clue that I really don’t want to discuss it. 

Beth:  Rob, I’m your mother.  There’s nothing you can’t tell me. 

Rob:  What are the chances of you dropping this subject?

Beth:  Oh, probably about the same as you getting out of trash duty for the next month. 

Rob:  Then we have a deal.  And to be completely honest, I have no idea how things went. 

Beth:  Well, what happened?

Rob:  I went over there and asked her to go to the movies.  But before she could say anything, her dad interrupted and they had to leave for the hospital. 

Beth:  Well did you ever think about going back over there and seeing if she still wanted to go?

Rob:  I’m not so sure she ever did.  I mean, I’m not positive, but I think she was about to shoot me down. 

Beth:  Well you’ll never know for sure unless you go over there and find out. 

Rob:  I don’t think I’m in the mood for that type of humiliation today. 

Beth:  Persistence, Rob.  You’ll never win her heart if you give up this easily. 

Rob:  You know, Bambi doesn’t make things nearly this difficult. 

Beth:  Well, I guess you just have to decide if Amy is worth the effort.  (Starts to leave, but then stops and turns to him)  There really isn’t a Bambi, right? 

Rob:  Of course not…  That’s just her stage name. 

Scene 13

The Romano’s living room.  Angela has broken the news.  She is sitting on a chair across from Maria and Mario, who are on the couch.  Mario has been crying but is trying to put himself together.  Maria is stone-faced. 

Mario:  So where do we go from here?  I mean, what do we do? 

Angela:  Well, I have Maria scheduled to meet with an oncologist tomorrow.  He’s excellent.  He’ll probably recommend some form of combination therapy consisting of radiation and chemo. 

Mario:  And that’s all covered by insurance? 

Angela:  Most of it should be. 

Mario:  I hate to even ask.  But with the restaurant trying to get its legs underneath it, and Tony’s college coming up…

Angela:  These are all reasonable concerns, Mario.  Listen, everything will work itself out.  The main thing now is that you provide a good support system for Maria. 

Mario:  I understand. 

Angela:  I’m going to leave now so the two of you can talk this over.  Do you have any other questions? 

Maria:  No, I think you’ve pretty much covered it all. 

Angela:  Alright.  Then I’ll let myself out.  It’s important that the two of you get on the same page so we can all fight this together. 

Mario:  Thank you, Angela.   (Angela leaves and there is a long silence)  We’re gonna get through this. 

Maria:  Are we? 

Mario:  Of course we are. 

Maria:  I wish I could be so sure. 

Mario:  (Puts his arm around her, but she turns her head away)  We will.  We’re survivors.  We got through Vinny, the move.  And we’ll get through this, too.  (More silence)  I really hate those cigarettes. 

Maria:  (Getting angry) Don’t start to blame me for this. 

Mario:  I wasn’t.  I was blaming the cigarettes. 

Maria:  Well who lit them? 

Mario:  I know how addictive it is.  I’m not blaming you.

Maria:  (Now really mad) Well you better not.  Not ever.  Because, believe me, you’re just as guilty in all of this. 

Mario:  Who said anyone was guilty?  Why are you being like this? 

Maria:  I don’t know, Mario.  Maybe it’s because I’m dying.  Maybe it’s because when I’m gone, everyone is going to look at you, alone and saddled with two kids, and they’re going to put it all on me.  When in reality, the only reason I still needed those cigarettes was because of you. 

Mario:  What are you talking about? 

Maria:  When Vinnie died, it freed you.  You were too busy to smoke.  You got out from under Carmine.  You got to live your dream.  But what did I get?  To rattle around an empty house all day, with nothing but the memory of my dead son to haunt me.  And when you’d finally get home at the end of the day, you’d keep your distance, practically ignore me. Is it any wonder I couldn’t give them up, Mario?  They were the one thing holding me together, because you sure weren’t. 

Mario:  You don’t think I tried?  Every time I’d try to get close to you, you’d push me away.  I didn’t think you wanted my help. 

Maria:  Of course I did.  I wanted more than anything for you to show me you that you loved me; that you would still love me in spite of how broken I was.  But you didn’t. 

Mario:  That’s not true. 

Maria: And now Angela keeps telling me that the one thing that will allow me to survive this is your love and support.  So that pretty much makes me a goner.  Because if you couldn’t be there for me before, what’s going to make me believe that you’ll be there now?

Juliet:  (Entering the room) Is everything alright? 

Mario:  Why don’t you go get your brother?  We need to talk. 

Scene 14

Amy is hanging out in her room when her cell phone rings.  She picks it up.

Amy:  Hello?  Oh, hey.  Meet you around the block?  Um, ok.  I’ll be there in a minute.  Bye. 

Scene 15

Amy is walking towards Frankie who is leaning up against a car. 

Amy:  So why couldn’t I meet you outside my house? 

Frankie:  Well I didn’t know how cool your dad would be with me driving you around. 

Amy:  Wait.  That’s your car?

Frankie:  My dad’s.  But someday.

Amy:  But you don’t have a license. 

Frankie:  A minor technicality. 

Amy:  Um, ok. 

Frankie:  Hey, it beats walking, right?

Amy:  No, it’s cool, real cool.  But what if you get busted? 

Frankie:  Then my dad takes care of things.  I told you.  He’s real chill about stuff like this.  He just wants me to have some fun. 

Amy:  Yeah, it’s probably a good thing that my dad doesn’t know about this. 

Frankie:  So you ready to go?  Hop in. 

Amy:  This is going to be intereseting…

Scene 16

Tony and Juliet are sitting on the couch in the living room.  Mario and Maria are standing across from them. 

Tony:  So what’s going on?

Juliet:  You guys are getting a divorce, aren’t you?

Mario:  No, it’s nothing like that.  But it is important.  Are you going to tell them?

Maria:  I don’t know if I can. 

Juliet:  What is it?

Mario:  Dr. Brooks stopped by a minute ago with some bad news.  Your mother has lung cancer. 

Juliet:  No!  Is she going to be ok?

Mario:  The doctors are going to try everything they can.  But there’s no real way to know what’s going to happen. 

Juliet:  I can’t believe this.  (Gets up and goes to her) Are you doing alright, Mom?

Maria:  I’m doing ok.  I just hate having to put you through this.

Juliet:  (Hugs Maria and starts to cry) I’ll do anything you need me to.  I’ll help out around the house.  Whatever you want.  Just tell me.

Mario:  (Goes over and hugs them both) We all just need to stick together.  We’re going to get through this.   

Maria:  Tony.  You’ve been awfully quiet.  What are you thinking, hon?

Tony:  (Looking away from her) You promised us, you know.

Maria:  Oh, Tony.

Tony:  You promised us that you’d quit smoking.  But it was all just a big lie.    

Mario:  Now isn’t the time for this, Tony. 

Tony:  It’s never been the time for it.  Every time I asked you to stop, you kept putting it off, pushing it aside, thinking it would just go away.  Well it didn’t go away.  It didn’t go away and now we all have to pay for it.

Mario:  Tony, you need to calm down. 

Tony:  I don’t need this! (Gets up and starts to walk away.) I’m outta here. 

Mario:  Don’t you leave!  Get back here!  (Tony keeps going)  Tony!

Maria:  Just let him be for now…  He’s right.   

Scene 17

Frankie and Amy are sitting and looking up at the fireworks. 

Amy:  Those sparkling ones are my favorite. 

Frankie:  I like the big ones.  You know, the ones you can feel in your chest when they go off. 

Amy:  Those used to freak me out when I was a little kid.  I hated that.

Frankie:  Oh so did Tony.  He used to start crying as soon as the first one went off.  It got so bad we’d stopped going.  He didn’t snap out of it until he was like nine. 

Amy:  Are you serious? 

Frankie:  Eh, maybe eight.  But he was pretty old. 

Amy:  You know this is the first time since we moved that I’ve felt at home? 

Frankie:  Really? 

Amy:  Yeah.  Me and my friends, we used to go watch the fireworks every year.  This is the only thing in Jersey that looks at all like Iowa.  I guess no matter how far you go the sky’s always the same. 

Frankie:  Well I’m glad you’re feeling better. 

Amy:  Yeah, I guess I am.  Thanks.

Scene 18

Juliet is sitting on her bed when Mario enters the room.

Mario:  How are you, sweetie?

Juliet:  I don’t know.  I just… I feel so helpless. 

Mario:  Yeah I know.  We’re all feeling that way. 

Juliet:  Is Tony back yet?

Mario:  No.  I really wish he hadn’t run off like that.  Your mother could probably use him right now.  You know how alike they are.  If anyone could get through to her, it would be Tony.

Juliet:  So she’s not doing well?

Mario:  I don’t know.  She won’t talk to me. 

Juliet:  Do you want me to try? 

Mario:  I’m not sure it would do much good.  I’m going to give Beth a call and see if she’ll come over. 

Juliet:  Yeah, she always seems help Mom settle down. 

Mario:  What about you?  Is there anything I can do for you? 

Juliet:  I just wish I could get my mind off of it for a while.   

Mario:  Well why don’t you give Frankie a call.  See if he’ll come over. 

Juliet:  Yeah, I think I’ll do that.  Oh, but he’s at that party with his parents.

Mario:  I’ll get you Aunt Gina’s cell phone number. 

Juliet:  Thanks. 

Mario:  (Sits by her and gives her a hug) We’re gonna make it, Juliet.  You know that, don’t you?

Juliet:  Yeah, I know.  I just wish it didn’t have to be this way. 

Mario:  Me too. 

Juliet:  Do you think there’s a reason?

Mario: Huh? 

Juliet:  You know.  A reason why we keep going through stuff like this?  There’s got to be, doesn’t there?

Mario:  I – I don’t know.  But I’d sure like to think there is.    

Juliet:  I just can’t help but think that maybe this is all part of something.  Like a way for us to become something better.   Like this is all just a step in some plan. 

Mario:  I don’t know. 

Juliet:  Do you think it’s God?

Mario:  Oh honey, I think that God walked out on this family a long time ago.  We haven’t really done much to endear ourselves to Him, have we? 

Juliet:  But do you think it could be Him?  That maybe he’s just using this to finally get our attention?  That he hasn’t given up on us? 

Mario:  You sound like your grandmother. 

Juliet:  Well do you think she could be right? 

Mario:  Who knows?  Maybe she is.  But I can’t for the life of me figure out why anyone would be so patient. 

Scene 19

Frankie and Amy are walking back through the crowd to their car. 

Amy:  You know, I love the fireworks, but I could live without the mosquitoes. 

Frankie:  Luckily they know better than to mess with an Italian. 

Amy:  Shut up.

Frankie:  What, you don’t believe me?  Try to find a bite mark. 

Amy:  I don’t blame them.  I sure wouldn’t want to suck the Guido out of you. 

Frankie:  Now that’s just jealousy talking.  What are you anyway?

Amy:  I’m American. 

Frankie:  No kidding. So listen, a couple of the guys from the team were thinking about heading over to a party.  You wanna come? 

Amy:  I should probably get home.  It is a school night. 

Frankie:  Are you serious?  What happened to the wild party girl from Iowa?

Amy:  She moved to New Jersey and doesn’t feel like spending the first day at her new school hung over. 

Frankie:  Alright, fair enough.  So do you want me to take you home? 

Amy:  That would be wonderful.  But it doesn’t mean I didn’t have a good time tonight, or that I won’t be up for the team’s next kegger. 

Frankie:  I’ll make sure you’re on the guest list. 

Scene 20

Gina is talking to her a group of her friends at the party. 

Gina:  Oh, that’s not even the best part!  According to what Tina tells me Joyce is going after their house in the Hamptons too. 

Woman 1:  Do you think the judge will give it to her?

Gina:  I don’t know.  Apparently she’s hired this big shot lawyer who’s promised to clean Roger out. 

Woman 2:  Well I say good for her.  That cheating dirt bag deserves it. 

Gina:  Can’t say I blame him though.  Joyce has really let herself go since she had that last kid.  Seriously, what did she think would happen?  (Her cell phone rings)

Woman 1:  Oh, Gina you’re awful! 

Gina:  (Searching through her purse for the phone) Oh please.  Do you think I spend an hour on the elliptical each morning just for kicks?  (Picks up) Hello?  Oh, Juliet.  How are you doing, dear?  Frankie?  No, he’s not here.  He went to the fireworks with that new girl.  Yeah, Amy.  I’ll tell him you called.  Ok.  Bye-bye.  That was my niece.  So girls, what’s the verdict on Charlotte?  I say they’re implants. 

Scene 21

Frankie and Amy pull up in front of the Carson’s.  The two get out of the car and Frankie walks Amy to her door.

Amy:  So I had a really good time tonight.  Thanks for taking me out. 

Frankie:  Well you’re very welcome.  Maybe we can do this again sometime?

Amy:  Definitely.  And next time, I promise that I won’t pull out the school night card. 

Frankie:  No need to apologize.  You’re the one that’s missing out. 

Amy:  Well try not to get too drunk will you?  I wanna see you in class tomorrow. 

Frankie:  No promises, but I’ll do my best to pull myself out of bed in time for first period. 

Amy:  Well I should probably get some rest. 

Frankie:  Yeah, I’ll see you tomorrow. 

Amy:  Thanks again, Frankie.  (She gives him a hug and then enters her house).

Frankie: (Has a big smile on his face as the door closes.  It quickly fades when he turns to see Juliet leaning up against the side of his car. )

Scene 22

Mario is in the living room with Beth. 

Mario:  I can’t thank you enough for coming over here.

Beth:  Don’t even mention it.  You know I’m always here for you two, especially now. 

Mario:  I just don’t know how to get through to her.  She keeps shutting me out. 

Beth: Give it time.  You’ll get through this. 

Mario:  That’s all I’ve been telling anyone.  I don’t think they’re buying.  Truth be told, I’m not so sure I am either. 

Beth:  Mario, now’s the time when you just have to turn everything over to the Lord.  As long as He’s taking care of it, you can be sure everything will work out. 

Mario:  Yeah, all things work together for good, right?  Look, why don’t you go up and see if she’ll listen to you?  I think I’m just going to step out for some air.  If you need anything, just holler. 

Beth:  I will.  And Mario, I know it’s not like you to let things out of your control, but this is too big for anyone to handle alone.  Really, just give it over to Him.  You can’t put your family in better hands. 

Mario:  Thanks, Beth. 

Scene 23

Music:  Counting Crows – Round Here 

Mario watched Beth walk up the stairs.  He pauses for a moment, sighs, and then heads for the front door.  He slowly walks onto the front lawn and looks up at the full moon overhead. 

Mario:  Look, I know we haven’t talked in a while, but… I can’t do this alone. 

He looks back at his house and then back at the moon. 

Mario:  If this really is your plan… if you really do still care…  I need your help. 

The camera pans upward above the trees where the glow from New York City can be seen in the distance. 

Scene 24

Maria is lying on her bed, holding a pillow and crying.  Beth approaches her from behind. 

Maria:  I told you that I wanted to be left alone, Mario. 

Beth:  It’s not Mario. 

Maria:  (Turns) Oh, Beth.  I didn’t know…

Beth:  I can go.

Maria:  No, no.  It’s alright. 

Beth:  Look, I know that you’re not up for talking.  But I want you to know that when you are, I’ll be here.   (Starts to go, but then turns) Maria, would you like to pray with me? 

Maria:  God and I aren’t exactly on speaking terms at the moment.

Beth:  Alright.  But remember, He’s always ready to listen. 

Scene 25

Rob is pacing in his room.  He starts to head towards the door, but then changes his mind and turns the other way. 

Rob:  Persistence.  (He opens the door and leaves)

Scene 26

Rob is walking up toward the Carson’s front door.  The house is dark.  Rob rings the doorbell and knocks a few times.  After no one answers, he walks away with his head down. 

Scene 27

Juliet is sitting on her bed crying.  Frankie enters the room. 

Frankie:  Can I come in? 

Juliet:  Will you just give it up already, Frankie?

Frankie:  Jules…

Juliet:  I don’t want to hear it!  I’m sick of your stupid games! 

Frankie: It wasn’t a date!  We’re just friends!

Juliet:  Well she obviously means more than I do!  I’m done with this.  (Stands up and looks him in the eyes)  You’re not worth it. 

Scene 28

Tony is sitting on the hood of a beat up car in the parking lot of St. Thomas’ football field, staring out into the distance.  A car pulls up behind him, and Amy gets out of it and sits next to him. 

Amy:  I heard about your mom, and that you ran off.  Starks said you’d probably be here. 

Tony:  Yeah, well this is the only place where I feel like I can control what happens. 

Amy:  Well maybe it’s good to lose control every now and then.  I mean, I never would have left Iowa if I had any real say about it.  But it wasn’t such a bad thing.  After all, I got to meet you.  (She takes his hand)  I just want you to know that you can forget about what happened this afternoon.  I want this to work out with you, Tony.  And I’m willing to wait however long it takes.  (He squeezes her hand, and looks off into the distance)  You know, I went through the same thing with my mom.  And sometimes the best thing to do was just to sit with my Dad, even if we didn’t say anything.  I’ll stay here with you Tony, I’ll stay as long as you like.  (She puts her arms around him, and he breaks down crying.  He continues to sob as she holds him.)

Scene 29

There is a shot of Mario sitting on a chair in the living room, crying with his head in his hands.  It is followed by one of Juliet lying on her bed crying while she looks at a picture of her and Frankie. 

Maria is now sitting on her bed.  She gets up and walks over to Mario’s dresser, pulls out the bottom drawer and removes a wooden box.  She lays the box on her bed and opens it, revealing a gun.  She picks up the weapon and stares at it as she walks over to her mirror.  She holds it in her hands as she stares at her reflection.  She nods at herself, then closes her eyes as she raises the gun to her head. 

Mario is still sitting in the chair, lost in his thoughts, when he is startled by the sound of a gun shot. 

END CREDITS